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Later, I tried coding my own writing tools, a hobby as rewarding as it was ineffective. I tried “distraction-free” writing apps that encouraged mindfulness, disabled the backspace key, or, in a few extreme cases, threatened to delete everything if I took my hands off the keyboard (Write or Die). Zadie Smith touted Freedom, a subscription service that cut off the user’s devices-a chastity belt for procrastinators. “An interminable revision, an infinite analysis is already on the horizon.” Derrida hadn’t even contended with the sirens of online life, which were driving writer friends to buy disconnected laptops or to quarantine their smartphones in storage bins with timed locks. “With the computer, everything is rapid and so easy,” he complained. I’d fallen into the trap that the philosopher Jacques Derrida identified in an interview from the mid-nineties. I found and replaced, wrote and rewrote the program made fiddling easy and finishing next to impossible. Each time I opened a draft, I seemed to lose my bearings, scrolling from top to bottom and alighting on far-flung sentences at random. A few months into my career as a book critic, I’d already run up against the limits of my productivity, and, like many others before me, I pinned the blame on Microsoft Word. This content can also be viewed on the site it originates from.įor a long time, I believed that my only hope of becoming a professional writer was to find the perfect tool.

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